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Infinity

[M]ondes

Atsara is a duo composed of Roland Devocelle and Audrey Rocher, working mainly with plastic, sound and corporeal art. Since 2000, they have been collaborating as artists, working on multidisciplinary projects, developing audio-visual improvisations.

In 2008, they started to work with light and projections, introducing sound and movement into their installations. Since then, Atsara have exhibited work at light festivals in France, Germany, Poland, Portugal, and Switzerland. Lumiere Durham 2013 was the first time Atsara had exhibited work in the UK.

Sanctuary

Sarah Blood’s work evokes personal and human qualities. Her forms are inspired by natural phenomena, science, geometric abstraction and post-minimalist sensibilities. Her primary medium is light, which she explores through glass, luminous gases and mixed media, creating sophisticated and elegant works which question the definitions of strength and permanence. Blood’s works are exhibited widely throughout the world including in the UK, Europe, Hong Kong, the United Arab Emirates and the USA.

A Place Beyond Belief

Over the past 15 years Nathan Coley has worked in a diverse range of media including public and gallery sited sculpture, photography, drawing and video. His practice focuses on how political and religious ideologies come to shape and determine our built environment. Notions of faith and religion, state and power, sanctuary and refuge, immunity and frontier, spiritual and the rational are recurrently explored within his work. He investigates how we come to understand these ideologies according to different locations, contexts and personal perspectives. Born in Glasgow, Nathan Coley studied at Glasgow School of Art between 1985 and 1989. In 2007 he was shortlisted for the Turner Prize.

Keyframes

Based in France, Groupe LAPS is a collective of artists who are interested in using light in urban environments to tell stories. Comprising video makers, artists, musicians and lighting experts, the group create technical pieces that enchant audiences. Groupe LAPS work swings between reality and fiction, and their fleeting installations always have long-lasting impacts.

Helvetictoc

Originally a professional jazz drummer, Tobie Langel accidentally turned web developer some time ago and is now a software engineer at Facebook, which he also represents at the World Wide Web Consortium (W3C). Although his minor in fine arts is the only thing he managed to complete before dropping out of college, Tobie Langel has no formal artistic training.

Helvetictoc is a permanent artwork in Millennium Place, Durham.

Volume Unit

Built around an ethos of creative innovation and evolution and developing the creative potential of new technology, The Media Workshop is made up of a wide network of digital professionals, specialists and creative individuals with a vast level of experience in different fields.  The company operates predominantly as a digital production and development business working creatively with new media and emerging technologies.

Working within commercial and corporate sectors as well as within the arts, marketing, events, advertising, research and education, the organisation has the flexibility to form specialist bespoke teams around projects and commissions enabling them to create exciting and technologically challenging work for both.

Platonic Spin

Rackowe’s work is heavily influenced by cities. The British sculptor is based in London, and his interest in neon reflects the light sources of such urban landscapes. Often creating large-scale structures, he uses recognisable man-made materials (like scaffolding and shed doors) mixing this with kinetic elements and employing a raw aesthetic that leaves wiring clearly visible.

A graduate of Sheffield Hallam University and Slade School of Fine Art, in 2015 Rackowe presented solo shows at Lawrie Shabibi in Dubai and Jérôme Pauchant in Paris. Art fairs include solo booths at Art Basel/Miami and Art Cologne. Rackowe has been commissioned by Calvin Klein Collection in New York and Den Frie Centre of Contemporary Art in Copenhagen.

Stained Glass Cars

This piece was created by Twist Design, which was then made up of Stuart Langley and Matt Sayle. Stuart has since left the company to forge a career as a full time artist. One Stained Glass Car returned to Lumiere Durham 2015 where his installation Wave was also part of the programme.

http://www.twist-design.co.uk/

Greenhouse Effect

Maro Avrabou and Dimitri Xenakis collaborate on work that challenges living spaces and points of view.  They like to examine urban and rural landscapes, often juxtaposing one with the other in their work.  They are interested in the environment and our impact on our surroundings.

Both live in France and exhibited at the Light in Jerusalem Festival 2013 and the Land Art Biennale, Mongolia. They have also shown work throughout Europe, Asia and South America.

Aquarium

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Gina Czarnecki’s career to date encompasses film and installation, with an emphasis on specialising in advanced technologies of image production. Her projects are created in collaboration with biotechnologists, computer programmers, dancers and sound artists, to confront issues surrounding the convergence of biology and technology, and the possible corruption of the human genetic mix.

Fête

Ron Haselden is a British artist who creates light sculptures and architectural installations using neon, LEDs, film and video, drawing and painting. His work has travelled across Europe and appeared in a variety of locations including small mountain towns, public parks and even a disused shop in France.

Solar Equation

Born in Mexico, Rafael Lozano-Hemmer is an Electronic Artist who develops interactive installations that are at the intersection of architecture and performance art. His large-scale interactive installations have been commissioned for events across the world. He has also received two BAFTA British Academy Awards for Interactive Art in London, a Golden Nica at the Prix Ars Electronica in Austria, a Rockefeller fellowship, the Trophée des Lumières in Lyon and an International Bauhaus Award in Dessau.

Litre of Light

How do you create a sustainable light bulb? By filling a plastic bottle with water, adding a drop of bleach and pushing it through a hole in the roof, you can refract as much sunlight through it as a 55-watt bulb. Developed by Alfred Moser and students at MIT, MyShelter Foundation have since brought this simple idea to communities in developing countries and post-disaster areas worldwide. Further developments using solar cells now allow the same technology to bring light to whole communities for the first time.

In a collaboration between artist Mick Stephenson and Central St Martin’s students, issues relating to poverty, sustainability and climate change informed the design of this pavilion. Filled with bottles designed during workshops with local school children, Litre of Light asked us to acknowledge the growing need for alternative technologies to support our everyday lives.

Mick Stephenson has a track record of turning rubbish into beautiful illuminated art. His Litre of Light installation for Lumiere Durham 2015 attracted thousands of visitors to Durham Cathedral Cloisters. He also created installations for Lumiere Durham in 2011 and 2013.

I Haven’t Changed My Mind in 1,000 Years

Beth originally studied in Durham before returning to live there for 12 years and completing a degree in Fine Art at Newcastle College. She now lives and works in Vienna with her family. She has exhibited widely across the UK and in Austria.

Wheels of Industry